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| Title | : | Midnight's Children |
| Author | : | Salman Rushdie |
| Book Format | : | Paperback |
| Book Edition | : | New Edition |
| Pages | : | Pages: 647 pages |
| Published | : | May 1st 1995 by Vintage (first published 1981) |
| Categories | : | Classics. Fiction. Young Adult. Animals |
Salman Rushdie
Paperback | Pages: 647 pages Rating: 3.98 | 100099 Users | 6022 Reviews
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Saleem Sinai was born at midnight, the midnight of India's independence, and found himself mysteriously "handcuffed to history" by the coincidence. He is one of 1,001 children born at the midnight hour, each of them endowed with an extraordinary talent—and whose privilege and curse it is to be both master and victims of their times. Through Saleem's gifts—inner ear and wildly sensitive sense of smell—we are drawn into a fascinating family saga set against the vast, colourful background of the India of the 20th century.
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| Original Title: | Midnight's Children |
| ISBN: | 0099578514 (ISBN13: 9780099578512) |
| Edition Language: | English |
| Characters: | Saleem Sinai |
| Setting: | India Pakistan |
| Literary Awards: | Booker Prize (1981), James Tait Black Memorial Prize for Fiction (1981), The Booker of Bookers Prize (1993), The Best of the Booker (2008), Премія імені Максима Рильського (2010) |
Rating Epithetical Books Midnight's Children
Ratings: 3.98 From 100099 Users | 6022 ReviewsCommentary Epithetical Books Midnight's Children
Do not know what to say.......... I am speechless...unlike the main character of this book: Saleem. What to compare this to? Not another book. Impossible! Perhaps it is best to compare this reading experience to a feeling, an image from my past: A young boy listening in awe to his father (his greatest hero) telling one of his most wonderful stories at a campfire, hoping that the night and dad's story will never end. Saleem's story and his narrative made me feel like that young boy again: anChutnification: the immortalization of a cucumber, or rather, a nose, into something indelibly Indian.Just... wow. This story of an inner-ear and nose follows through India's independence through the Emergency during Indra Ghandi, taking on mythological proportions. It is, first and foremost, a delightful, sensual, funny, detailed portrayal of a family saga that pretty much mirrors the trials and tribulations of India itself. Between the partition, Pakistan, the wars, the religions, the
Back in 2000, lit critic James Wood wrote a huge manifesto on the problem of "the 'big' novel" for the New Atlantic (disguised as a review of Zadie Smith). He basically attacked quirky novels like Underworld, Infinite Jest & White Teeth. There were a lot of things about it that I agreed with - particularly his point that a lot of cutesy things some writers tend towards are in place of good structure. One major thing I didn't agree with was his inclusion of Rushdie in this lot of wacky
It doesnt happen often, but from time to time after I finish a work of literature, I wonder, What just happened? In an effort to answer that question, my brain attempts to turn itself inside out to make sense of it all. This time that torture came from Rushdies Midnight Children. This novel is my first experience reading Rushdies work, so I am not sure if the writing style of this book is typical of the author, but I am not in any hurry to find out.Being an English Literature student and an avid
Reading Rushdie's Midnight's Children is like listening to someone else's long-winded, rambling re-telling of a dream they had. And like all people who describe their dreams -- especially those who do so long past the point where their listeners can believably fake interest or patience -- Rushdie is inherently selfish in the way he chose to write this book. Midnight's Children is one of those novels that are reader-neutral or even reader-antagonistic -- they seem to have been written for the
I truly am sorry, Salman. Its trite to say, I know, but it really wasnt you, it was me. I take all the blame for not connecting, ignorant as I am about the Indian subcontinents history, culture, and customs. Im sure your allegories were brilliant and your symbolism sublime, but it was in large part lost on me. At least I could appreciate your fine writing. You were very creative in the way you advanced the story, too nonlinearly, and tied to actual events. Your device that allowed narrator
Midnights Children is an absolute masterful piece of writing. It is entertaining, intelligent, informative, progressive and even funny: it is an astoundingly well balanced epic that captures the birth of a new independent nation. I hold it in such high regard. The children are all fractured and divided; they are born into a new country that is yet to define itself in the wake of colonialism: it has no universal language, religion or culture. The children reflect this; they are spread out and
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