Details Out Of Books Will in the World: How Shakespeare Became Shakespeare

Title:Will in the World: How Shakespeare Became Shakespeare
Author:Stephen Greenblatt
Book Format:Paperback
Book Edition:Anniversary Edition
Pages:Pages: 438 pages
Published:April 4th 2016 by W. W. Norton Company (first published 2004)
Categories:Biography. Nonfiction. History
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Will in the World: How Shakespeare Became Shakespeare Paperback | Pages: 438 pages
Rating: 3.94 | 7720 Users | 721 Reviews

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A young man from a small provincial town moves to London in the late 1580s and, in a remarkably short time, becomes the greatest playwright not of his age alone but of all time. How is an achievement of this magnitude to be explained? Stephen Greenblatt brings us down to earth to see, hear, and feel how an acutely sensitive and talented boy, surrounded by the rich tapestry of Elizabethan life, could have become the world’s greatest playwright.

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Original Title: Will in the World: How Shakespeare Became Shakespeare
ISBN: 0393352609 (ISBN13: 9780393352603)
Characters: William Shakespeare
Setting: United Kingdom
Literary Awards: Pittsburgh Post-Gazette, National Book Award Finalist for Nonfiction (2004)


Rating Out Of Books Will in the World: How Shakespeare Became Shakespeare
Ratings: 3.94 From 7720 Users | 721 Reviews

Evaluation Out Of Books Will in the World: How Shakespeare Became Shakespeare
Greenblatt I have heard many times over my thirty years in the Shakespeare Association of America and in RSA; I found him better, and wittier, as a comparatist in Renaissance Self-Fashioning, where he wrote with more wit. His Swerve has a great account of the MS discovery in the first sixty pages, but declines into misdirected polemic. I've read Lucretius's Latin, and he is NOT behind the modern cosmos. Giordano Bruno (and of course Lawyer-Physician Copernicus) is. This book falls way behind

Stephen Greenblatt is just wonderful. This book makes blood flow between the sonnets, plays and legal records that comprise the slim documentary record of Shakespeare's career. His analysis is contextual. As you read the book, your attention is driven through a route that wends alternatingly through the terrains of Shakespeare's world, life and work. Greenblatt is a spectacular writer with amazing structural control.Some bullet points will give you a sense of what I loved about this book:

As any fule kno, 'twas Ben Jonson who famously said of his friend Mr William Shakespeare that he was "not of an age but for all time". Which bon mot is trotted out regularly, not least by yours truly when guiding German high school students through the vagaries of Macbeth: after all, you have to try to persuade them that the fate of an eleventh century Scottish king could, possibly, have some relevance to a twenty first century audience. So what do you do? Well, you emphasise the universal, of

The library shelves groan under the weight of the tomes about Shakespeare, but, oddly enough, the writer himself was not much concerned with books. Certainly he read, that we know from his liberal borrowings from old Teutonic and Italian stories. But he never saw what we see in the bookstore, the sonnets were handed around among friends without prior thought for publication (at least in Stephen Greenblatt's reconstruction) and the various theater companies for which he wrote (and in which he

I never thought this would happen to me, but while I was reading this book, I actually had a sense of nostalgia for Harold Bloom. A woman I work with forced this book on me with the guarantee that I would adore it. I later found out that she "hates music like the Velvet Underground." It's always people like that who are forcing book recommendations. Not that there are "people like that" who hate the Velvet Underground. I have a lot of faith that she is an isolated case.This book pretty much hit

To understand who Shakespeare was, it is important to follow the verbal traces he left behind back into the life he lived and into the world to which he was so open. And to understand how Shakespeare used his imagination to transform his life into his art, it is important to use our own imagination. There is no doubt he is an enigma, a man who quite possibly has had the greatest influence on the English language, and yet, strangely enough left very little personal correspondence behind. It does

This book could have been (perhaps even should have been) so much worse than it turned out. Even stating the premise sends a shiver down my spine. The premise is, How about we speculate on the life and loves of Shakespeare on the basis of the evidence we can find in his plays, poems and sonnets! You can feel it can't you? It is like the shiver you get from a wind blowing off snow.If Id guessed the book was going to be about such speculations I would never have started it. I mean, I would just