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The 42nd Parallel (The U.S.A. Trilogy #1) Paperback | Pages: 326 pages
Rating: 3.82 | 5930 Users | 400 Reviews

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Title:The 42nd Parallel (The U.S.A. Trilogy #1)
Author:John Dos Passos
Book Format:Paperback
Book Edition:Special Edition
Pages:Pages: 326 pages
Published:May 25th 2000 by Mariner Books (first published 1930)
Categories:Fiction. Classics. Historical. Historical Fiction. Literature. Novels. American

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With his U.S.A. trilogy, comprising THE 42nd PARALLEL, 1919, and THE BIG MONEY, John Dos Passos is said by many to have written the great American novel. While Fitzgerald and Hemingway were cultivating what Edmund Wilson once called their "own little corners," John Dos Passos was taking on the world. Counted as one of the best novels of the twentieth century by the Modern Library and by some of the finest writers working today, U.S.A. is a grand, kaleidoscopic portrait of a nation, buzzing with history and life on every page. The trilogy opens with THE 42nd PARALLEL, where we find a young country at the dawn of the twentieth century. Slowly, in stories artfully spliced together, the lives and fortunes of five characters unfold. Mac, Janey, Eleanor, Ward, and Charley are caught on the storm track of this parallel and blown New Yorkward. As their lives cross and double back again, the likes of Eugene Debs, Thomas Edison, and Andrew Carnegie make cameo appearances.

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Original Title: The 42nd Parallel
ISBN: 0618056815 (ISBN13: 9780618056811)
Edition Language: English
Series: The U.S.A. Trilogy #1
Characters: Mac Smith, Janey Williams, Eleanor, Ward, Charley
Setting: United States of America

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Ratings: 3.82 From 5930 Users | 400 Reviews

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Xperimental Mash-upThis experimental novel set in the early 1900s before the Market Crash is a mash-up of random radio broadcasts of news headlines and lyrics, biographical blurbs on significant figures, and the aimless autobiographical gibberings of a literary sadist. It reminded me how my admiration for an artist with the courage to spend years on daring innovations has no true relation to my appreciation (or not) for the end product. I keep going back to the same question, which arises from

This novel is such a distinct achievement that I haven't written a review before now, and even though this is my third time through the novel, this isn't really a review either. What I can say is that this novel in spite of its setting in the early 20th century is nevertheless written in such a contemporary and innovative way that it makes me realize there is no such thing as progress in the arts, or even evolution, but rather that we have extraordinary masterful artists that come along now and

Manic, vibrant, socially conscious, epic, crowded, busy, sweaty, angry, clear-eyed idealism, rowdy, tragic, subjective, objective, infinitely small, buzzing, slashing, eponymous, snide, pathos, scattershot, fecund, inspirational, landmark, surging, colorful, explosive, magnificent.I'm almost holding back on the next two installments since I don't want to be dissapointed. This one's a corker.The first two pages is some of the greatest prose I've ever laid eyes on. What I hope will be my life's

Stop searching, THIS is the great American novel... but "novel" doesn't really do it justice. It's a panoramic portrait of America in the first decades of the 20th century. Dos Passos' characters chase, in myriad ways, their American Dreams, as the nation rapidly matures in its new identity as an urban, commercial, world power. There is no plot here- the book, like so much other art of the time, is, in form as well as substance, something entirely new- a novel novel. The characters surge forward

As Hemingway said to Dos Passos in a letter, after reading his USA trilogy:"Dont let yourself slip and get any perfect characters inno Stephen Daedelusesremember it was Bloom and Mrs. Bloom saved Joyce . . . If you get a noble communist remember the bastard probably masturbates and is jallous as a cat. Keep them people, people, people, and dont let them get to be symbols."(1932)

I've come around on the newsreels, but I just can't warm up to the camera's eyes. The meat, though, is the individual stories that wend their way through. Overall, this is excellent.

I need to qualify my upcoming bold statement with two disclaimers. First off, I'm already on record as being underwhelmed by the hallowed novel I'm about to mention in my forthcoming bold statement. Second, The 42nd Parallel is only the first part of a three volume trilogy that should probably be considered as a whole, and I have only read this volume. But what's the point of writing these reviews if your not going to bring strong opinions. So despite the aforesaid reservations, here it goes: