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| Title | : | Eugénie Grandet (La Comédie Humaine #30) |
| Author | : | Honoré de Balzac |
| Book Format | : | Paperback |
| Book Edition | : | Oxford World’s Classics |
| Pages | : | Pages: 200 pages |
| Published | : | August 28th 2003 by Oxford University Press (first published 1833) |
| Categories | : | Classics. Fiction. Cultural. France. European Literature. French Literature |
Honoré de Balzac
Paperback | Pages: 200 pages Rating: 3.8 | 16913 Users | 694 Reviews
Chronicle Conducive To Books Eugénie Grandet (La Comédie Humaine #30)
"Who is going to marry Eugenie Grandet?" This is the question that fills the minds of the inhabitants of Saumur, the setting for Eugenie Grandet (1833), one of the earliest and most famous novels in Balzac's Comedie humaine. The Grandet household, oppressed by the exacting miserliness of Grandet himself, is jerked violently out of routine by the sudden arrival of Eugenie's cousin Charles, recently orphaned and penniless. Eugenie's emotional awakening, stimulated by her love for her cousin, brings her into direct conflict with her father, whose cunning and financial success are matched against her determination to rebel. Eugenie's moving story is set against the backdrop of provincial oppression, the vicissitudes of the wine trade, and the workings of the financial system in the aftermath of the French Revolution. It is both a poignant portrayal of private life and a vigorous fictional document of its age.
Particularize Books Supposing Eugénie Grandet (La Comédie Humaine #30)
| Original Title: | Eugénie Grandet |
| ISBN: | 019280474X (ISBN13: 9780192804747) |
| Edition Language: | English |
| Series: | La Comédie Humaine #30, Études de mœurs : Scènes de la vie de province |
| Characters: | Eugénie Grandet, Félix Grandet, Charles Grandet, Cruchot des Bonfons, Nanon, Madame Grandet |
| Setting: | Saumur(France) France |
Rating Appertaining To Books Eugénie Grandet (La Comédie Humaine #30)
Ratings: 3.8 From 16913 Users | 694 ReviewsCritique Appertaining To Books Eugénie Grandet (La Comédie Humaine #30)
Goes right into the list of my favourite books.What a brilliant piece of writing. The detail used to describe each scene by Blazac paints a picture in your mind. I am reminded of Tolstoys War and Peace. The story of the saintly Eugenie trying to live under the thumb of her Miser father is pitiable but a solid read. The life of Monsieur Grandet and his love of gold above all else seems painfully apt in this early part of the 21st century. A classic that holds a place of reverence on my bookshelf. My Rating: 5 starsThis review first appeared:
If you are to believe Balzac and Zola, how depressing life must have been in 19th century France. This book is titled for Eugenie, the daughter of the Grandet family, but it should have been titled "Grandet the Miser", because this was really his story, the story of Eugenie's father Felix. He was a miser that even surpasses Dickens Scrooge in his miserliness. You're thinking I didn't like this novel, but I did. Like Zola, Balzac establishes his characters so vividly you can't help but become
Eugenie Grandet is a quiet tragedy. The eponymous character is the quiet and industrious daughter of a miser. His entire life is devoted to making more money, even faking a stutter to put other people off their guard in business transactions. Eugenie has known no other life - every day, she and her mother sit in their freezing sitting room (the fire can only be lit between November and April), mending and sewing. For her, this is not unusual, and she accepts at face value her father's complaints
I enjoyed this one!
Classic English literature has seen some memorable stone-hearted misers in it's time, but they pale in comparison to Balzac's provincial Midas, Monsieur Grandet, father of the long-suffering Eugénie. Grandet's wealth is legendary in status, and, inevitably, when plucky Charles, his elegant, dapper nephew from Paris, turns up, Eugénie, accustomed to her father's spartan frugality, is hopelessly smitten with him. One of the Granddaddies of realist literature, Balzac paints a tragic figure at the
"There is a constant duel between heaven and earthly interests. "Some people are so intimately convinced that there is a paradise after life, that they accept with resignation, humility, magnanimity, kindness and charity, all the misfortunes of earthly life, and all human vicissitudes.Some people are so deeply convinced that there is no hell after life, that they take possession on earth, with fierce, pretentiousness, smallness of soul, immorality and avarice, of all earthly material goods, of
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