Declare Based On Books Huis clos, suivi de Les mouches

Title:Huis clos, suivi de Les mouches
Author:Jean-Paul Sartre
Book Format:Mass Market Paperback
Book Edition:Anniversary Edition
Pages:Pages: 247 pages
Published:December 18th 2000 by Folio (first published 1946)
Categories:Cultural. France. Plays. Classics. Theatre. Fiction. Philosophy
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Huis clos, suivi de Les mouches Mass Market Paperback | Pages: 247 pages
Rating: 4.07 | 9320 Users | 221 Reviews

Explanation Conducive To Books Huis clos, suivi de Les mouches

The Nobel Prize 1964 goes to the perfect description of Hell!

And Sartre, clever and free, refuses to accept the honour, knowing full well the implications of binding oneself to the hellish feeling of owing something to an institution, however honorable it may seem. A truly independent spirit who knew everything of the prisons human beings carry with them wherever they go: their minds full of desire for the things that are out of reach.

The only laureate ever to decline the prize out of conviction (Pasternak had to decline after pressure from the state), he is nonetheless a worthy (non-)laureate. It is not within his power to un-choose himself.

I read Huis Clos for the first time in High School. It immediately made a huge impression on me and has followed me ever since. The story is so straightforward and bitter. Three people, a man and two women, enter Hell and are at first relieved to discover that it is merely a room, not a torture chamber. They can't sleep anymore, so there is no relief from reality, but in the beginning, they have good hopes of getting along.

They are still engaged in the lives of people that they left behind in their previous living existence, and they suffer from their powerlessness to influence and manipulate the world. Slowly but steadily, their focus shifts to their new acquaintances in Hell, and now the torture begins. After confessing the reasons for their stay in Hell (vanity, cruelty, brutality etc...), they start to take an interest in each other and try to form alliances. But as human hearts go, they desire what they cannot have, and they discover they are stuck in an eternal triangle of unreciprocated desire, powerless to change the constellation or even just get a moment of relief.

"L'enfer, c'est Les Autres", one character sighs.

Utterly frustrated, one of the characters even tries to kill another, to face the silliness of the act immediately afterwards:

"Morte! Morte! Morte! Ni le couteau, ni le poison, ni la corde. C'est déjà fait, comprends-tu? Et nous sommes ensemble pour toujours."

This is Sartre's best play in my opinion, with a dark sense of humour in the bleak setting. I love the ending when the characters resign themselves to the fact that they are forever trapped in the hell of their triangle and decide to just go on annoying each other. There is nothing else to do:

"Continuons!"

My only question now is, as Sartre created this realistic scenario of humans torturing each other with their wishes and vanities, who is in his Huis Clos? Imagine Sartre sitting in his own hell now, who is there to anti-entertain him? Of the women and men he knew, who would be best suited to torture him in eternity? Or did he earn a place in heaven for resisting the greed to accept the Nobel Prize money? But heaven is populated as well, right? With a whole bunch of highly annoying people.

Or is he alone with himself, like Captain Jack Sparrow in Davy Jones' locker? Sartre discussing Sartre with Sartre in eternity. Hard to tell if that is heaven or hell.

Fabulous play, unsure if it counts in my Nobel month countdown or not!

Be Specific About Books To Huis clos, suivi de Les mouches

ISBN: 2070368076 (ISBN13: 9782070368075)
Edition Language: French


Rating Based On Books Huis clos, suivi de Les mouches
Ratings: 4.07 From 9320 Users | 221 Reviews

Notice Based On Books Huis clos, suivi de Les mouches


'Huis Clos' represents something I do not like. In fact, I detest the message that Sartre is conveying in his rather famous play. It is this play that has spawned one of the most misunderstood quotes in literary history, c'est-à-dire "L'enfer, c'est les autres." What we are given by Sartre, is a room that houses three people; the rather tense Garcin, the empty-headed Estelle and Inès, one of the most ridiculously stereotypical lesbian characters I have ever encountered. (Seriously though. It has

Hell Is Other PeopleThis short play provides a good introduction to some of Sartres key ideas about existence and human relationships. Admittedly, the characters are the extremes a good melodrama should have, so the audience can safely distance itself from their reality, while at the same time being fascinated by their behavior and stories. Joseph Garcin, known by his last name in the play, Inez Serrano and Estelle Rigaut, the women known by their first names, are the three people discovered

If you know nothing about Sartre and want to get a quick peek into his philosophy, Huis Clos (No Exit) is an accessible start. Two women and a man are escorted to a large room which they will share for eternity. Within minutes, it's clear why these three have been thrown together; each has exactly the personality and character flaws designed to drive the other two mad. As we learn about the blighted lives the three have lived and watch them squabble and torment each other, we understand the

I dont get why people think this is great lmao I mean I didnt think it was terrible but I just dont get it. The characters are hypocrites and they constantly contradict themselves. Im not a fan. I had to read this for school so I mean I already didnt have a high opinion of it.

As a preliminary to reading Sartre's Les Mouches (The Flies), I reaad Sophocles Electra and this was my response:Although there are four plays in this book I didnt get much out of the first one as I began it, so jumped across and just decided to read Electra. I found this very interesting for the use of deception to give oneself an advantage about the situation one is entering before admitting ones alliance with another. But this is an example given by the gods in some plays, just as it is with

This is one of the rare books where, upon finishing, I said to myself: "I want to read it again!". The two plays absolutely captivated me, and I was surprised by how simple Sartre's language is in French. Huis Clos is an innovative sci-fi plot written in the 40's, focusing on the drama of interpersonal relationships. What would happen if time, sleep, basic needs were no longer a thing, and the only variant and ineluctable truth was the company of others? Les Mouches re-explores the classic Greek

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